
DEADLINE FOR SUBMISSION: MARCH 3rd, 11:00-4:00 pm At the Gallery of Visual Arts


Gerhard Richter was born in Dresden in 1932 to a middle class family. Like many Germans of his generation, his relatives were involved in the Nazi movement; his mother's brother, Uncle Rudi died a young Nazi officer, while Richter's mentally disabled aunt was imprisoned in a Hitler euthanasia camp. Rigorous ideology and death have haunted Richter since he was just a child, perhaps causing his strong dislike for ideology of any kind and underpinning the attraction that nature, as an indiscriminate force, holds for him.
Support from his mother encouraged him to become an artist during his mid-teens and he embarked on a classical education at the Dresden Art Academy in Communist East Germany. Years later and a few months prior to the erection of the Berlin Wall, he and his wife fled with only a suitcase to Düsseldorf in West Germany. From 1961 to 1964, Richter studied at the Staatliche Kunstakademie Düsseldorf under Karl Otto Gotz.
Richter's first exhibition in the U.S. took place at the Reinhard Onnasch Gallery in 1973. Fifteen years later in 1988 he was given his first North American retrospective organized by the Art Gallery of Ontario, Toronto and The Museum of Contemporary Art, Chicago. In 2001 the Museum of Modern Art in New York exhibited a retrospective of Richter's paintings called "Forty Years of Painting". Curated by Robert Storr, the exhibition was critically acclaimed.
HE DOES A LOT OF DIFFERENT STYLES OF PAINTING. CLICK HERE TO GO TO HIS WEBSITE.
Born and raised in Western Canada, Sam Baillie’s creative talents often reflect the beautiful surroundings in Alberta as well as her love of all animals. Painting is a passion for Sam that began many years ago in high school where her talents were rewarded with top grades in art classes. This led Sam to continue developing her talent in the Fine Arts program at Red Deer College. In the years that followed, her creativity was not limited to painting alone as she explored and excelled in various artistic expressions including ceramics, wood carving, bronze sculptures.
CLICK HERE TO SEE MORE OF HER WORK.
CLICK HERE TO SEE MORE OF HIS WORK.
Artist Jenny SavilleEXTRA CREDIT OPTION:
NOTE: To get extra credit you must submit at least one entry per month. (NOT 4 all at once). You must submit all of the information listed below and you may not submit items/artists already listed on the blog. In order to qualify for extra credit you must submit your first entry no later than February 15th.
REQUIREMENTS:
It must be a contemporary "Fine Arts" artist working in either acrylics or oils. (NO anime, graphic novels, poster artists, illustrators) Nothing from Deviant Art (I get these every semester). You must find more than just an image. Find a website that has more information on your artist, biography, artists statement and several images.
Email me 1 link and 1 image for your site. I will post the information for you.
You can either download an image from the site directly to your desktop or use “Grab” to get an image. All images must be in jpeg format, and not to exceed 8” in any direction.
Email your images and links to: james.bailey@umontana.edu
Chicago painter Bruce Elliott has come up with a novel way to get customers into his Old Town Ale House bar in Chicago with his nude Sarah Palin picture. The American vice president hopeful for the republican party is shown in a full frontal nude pose, standing on a polar bear skin rug, clinging to an automatic weapon, with a lucky moose still alive outside the window. The moose looks like it's in a river, but I guess it could also be a pool of oil, so perhaps the moose is stuck and about to die?
Themes of magical realism stream through Peter Doig’s work, capturing timeless moments of perfect tranquillity, where photo-album memory flits in and out of waking dream. Drawing from his Canadian childhood, and one of the spookier scenes from Friday the 13th, Peter Doig’s canoes have become a seminal image in his work; their reflection in the water, like a double life, is a fantasy mirror to the unknown. Canoe-Lake is rendered with unsettling perfection: capturing not just a spying view over a fence, but the strange echoing silence of drifting on a lake, the impossible stillness of the current, and the cloying warmth of late-summer air.
